Tuesday 2 June 2020
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Synopsis

The "Nesian" documentary deals with the pathology of reconstruction, renovation and development of tissue around the Razavi Shrine.
Director:Hassan Akhondpour
Producer:
Samen Research Center
Filming Director:
Ali Nouri
,
Mehdi Kalali
Editing:
Farhad Mahroqi
Charsou Cinematic Complex

Charsou Cinematic Complex

Tehran Province, Tehran, District 11, Ave, No. 1, Hafez

021 6672 4444

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Farhang Cinema

Farhang Cinema

Dowlat St., Shariati St., Tehran

22601205

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Iran Artists House

Iran Artists House

Honarmandan Park, Iranshahr St., Tehran

021-88310457

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Mashhad, Hoveize Pardis

Mashhad, Hoveize Pardis

Golestan Sq., Daneshgah St., Mashhad

0511-8437575

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Isfahan City Center

Isfahan City Center

Opposite of Abbasi Hotel, Amadgah St., Istahan

031-32232151

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Kourosh Pardis

Kourosh Pardis

Num. 57, near Central Payambar, Shahid Satari Hgw, Tehran

44971930-40

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Museum Cinema

Museum Cinema

Bagh Ferows, Valiasr S

22723535

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Museum Cinema

For years, I’ve been a TV programmer and I’ve experienced documenting there. The producer and director of 9 feature films and 4 television series, as well as the director of the short film “Baher”, featured in the Art and Experience group.

My first feature film, “A City That Does not Sleep”, is about public release, and I am the author and director of the feature film “Angel”, which won several domestic and international awards. Also managing director of Paya Toos Film, who is the executive of all of the above.

Museum Cinema

It was not very serious for me at the very beginning when it was ordered for a variety of routine works. But when I went through the research stage and realized that this oppression grew, I was no longer in the order, and this matter became an important and serious project for me. The first thing that made me make this film was to push me from a deep darkness to a wide brightness, from a great oblivion to a lasting awakening. “Nessian” is the pain of the urban population that I have been living for many years, but I did not notice this pain until I realized that it is my pain, the pain of all the Mashhadi. “Nessian” is a narrative of the pain of the people who have been trying to forget about it for many years in the economic and political arena. Hopefully, with all the limitations on paying for these issues, I have been able to portray a corner of the most important problem in Mashhad.

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