Tuesday 26 May 2020
FA EN

Synopsis

Two months after meeting him, Leila (Leila Hatami) marries Reza (Ali Mosaffa). When they find out Leila is unable to conceive, they initially ignore Reza's mother's (Jamileh Sheikhi) insistence that he must take a second wife who can bear children. Determined to be a devoted Muslim spouse, Leila eventually becomes convinced that her mother-in-law is right and urges Reza to consider the idea. Reza reluctantly agrees to begin interviewing prospective brides, and their marriage soon deteriorates.
Director:Dariush Mehrjui
Producer:
Dariush Mehrjui
Screenwrite:,
Cast:
Leila Hatami
,
Ali Mosaffa
,
Jamileh Sheikhi
,
Mohamad Reza Sharifinia
,
Turan Mehrzad
,
Amir Pievar
,
Shaghayegh Farahani
Sound Manager:
Kayvan Jahanshahi
Charsou Cinematic Complex

Charsou Cinematic Complex

Tehran Province, Tehran, District 11, Ave, No. 1, Hafez

021 6672 4444

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Farhang Cinema

Farhang Cinema

Dowlat St., Shariati St., Tehran

22601205

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Iran Artists House

Iran Artists House

Honarmandan Park, Iranshahr St., Tehran

021-88310457

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Isfahan City Center

Isfahan City Center

Opposite of Abbasi Hotel, Amadgah St., Istahan

031-32232151

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Kourosh Pardis

Kourosh Pardis

Num. 57, near Central Payambar, Shahid Satari Hgw, Tehran

44971930-40

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Mashhad, Hoveize Pardis

Mashhad, Hoveize Pardis

Golestan Sq., Daneshgah St., Mashhad

0511-8437575

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Mashhad, Hoveize Pardis

Dariush Mehrju’i  (born on 8 December 1939 in Tehran) is an Iranian director, screenwriter, producer, film editor and a member of the Iranian Academy of the Arts. Mehrjui was a founding member of the Iranian New Wave movement of the early 1970s. His second film, Gaav, is considered to be the first film of this movement, which also included Masoud Kimiai and Nasser Taqvai. Most of his films are inspired by literature and adapted from Iranian and foreign novels and plays.

Mashhad, Hoveize Pardis

I am very pleased that after 20 years “Leila” will be shown in cinema halls for the fans of the cinema. The film, which was scanned and the colors were corrected by the Laboratory of Sound and Television and the Studios in the past year and converted to a 2K quality digital version, has reappeared in Iranian and world’s cinemas, so that the enthusiasts of this field can enjoy it, and this has lots of hope in it. This will be greatly appreciated by the efforts of Art and Experience cinematic group, and I’m thankful from their management. I hope the Ministry of Culture and Guidance and cinema directors, with this approach, will bring all the manuscripts of Iranian cinematic films to a digital version of quality and do not condemn them for their preservation, because they will refer to them, and history and literature need some of these works; therefore, they are considered a kind of national capital, which must be diligent in preservation and preservation.