Monday 3 August 2020
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Synopsis

The film tells the life story of the talented craftsman, Ali Asghar Hajibaba who started quilting when he was a little child and could start his business in the world of industry…
Director:Bahram Azimpoor
Producer:
Mojtaba Mirtahmasb
Screenwrite:
Cast:
Screenwriter and Director: Bahram Azimpoor
,
Editor: Shabnam Husseini
,
Director of Photography: Mohammad Haddadi
,
Composer: Babak Mirzakhani
,
Sound Designer and Sound Mixer: Amir Hussein Ghasemi
,
Sound Recorder: Yadollah Najafi
,
Animators: Hamidreza Fatoorehchian
,
Sindokht Rahimian
,
Researcher: Alireza Khoshbakht
,
With: Ali Asghar Hajibaba and his family
,
Project Consultant: Rakhshan Bani Etemad
,
Producer: Mojtaba Mirtahmasb
,
Produced at “Film Kara Workshop” with the collaboration of the Entrepreneurship Development Foundation for Women and Youth
Filming Director:
Mohammad Haddadi
Sound Manager:
Amir Hussein Ghasemi/Yadollah Najafi
Editing:
Shabnam Husseini
Charsou Cinematic Complex

Charsou Cinematic Complex

Tehran Province, Tehran, District 11, Ave, No. 1, Hafez

021 6672 4444

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Farhang Cinema

Farhang Cinema

Dowlat St., Shariati St., Tehran

22601205

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Iran Artists House

Iran Artists House

Honarmandan Park, Iranshahr St., Tehran

021-88310457

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Isfahan City Center

Isfahan City Center

Opposite of Abbasi Hotel, Amadgah St., Istahan

031-32232151

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Kourosh Pardis

Kourosh Pardis

Num. 57, near Central Payambar, Shahid Satari Hgw, Tehran

44971930-40

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Mashhad, Hoveize Pardis

Mashhad, Hoveize Pardis

Golestan Sq., Daneshgah St., Mashhad

0511-8437575

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Museum Cinema

Museum Cinema

Bagh Ferows, Valiasr S

22723535

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Museum Cinema

Bahram Azimpour is a filmmaker who has worked in various dramatic and visual arts media, from writing and directing of theater and script writing to the production of a storyline for television. He began his career in documentary cinema from 1994. Azimpour has directed documentaries such as “Kamas Dolls”, “Chamar”, “Dubeh”, “Fresh Air” and “Shadow of the Era”. His works have been featured at numerous national and international festivals and have received awards.

Museum Cinema

Every time I start making a new movie, I’m looking for a way to remove or dampen my personal boundaries with the subject of the chosen film, and this is a perennial question of what the movie is going to say and where it starts. Different aspects and diversity of the various aspects of Ali Asghar  Hajibaba’s life made it difficult to shape the structure, selection and the story line of the film. Finally, considering the timing of the films of the Karestan collection, we decided to narrate our narrative in three areas of the national macroeconomic industry, family economy, and political-social activities. My effort was to move these three aspects to the audience without going away from the entrepreneurship axis (which is the main goal of the Karestan project).

Perhaps the artist’s impressibility on the subject under construction is more than any art in the documentary cinema. Ali Asghar Hajibaba’s understated features in the film production process have had a lasting effect on our group members. The national glance, professional visionary, exemplary discipline, and mankind’s humanity gave us more than a work experience. Accompanying and recording the efforts of someone who is not tired of the difficulties and difficulties of the industry. The story of suffering, defeats and triumphs of honorable human who went from cotton to fire in the course of their life’s ups and downs and brought us with him in this road.

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